Form and content are an important proposition in tango. Tango is created out of the human being need. From that need comes beauty, which then results in a propensity to deviate from the need and only pursue beauty, hence the alienation of tango. The admiration for beauty is no unjustifiable one, without which there would not be art.
But, in the quest for art it is simple to neglect that in the long run the proper execution cannot stand alone and must provide the content. A wrist watch that cannot run is not a good watch properly, though it may look exquisite. A selfish woman is wii wife, though she might look beautiful.
It is same with tango. You might invent elegant steps, but without the fact of tango it is not a good tango. People not used to tango tend to focus on the look and disregard the feelings, exactly like teenagers who aren’t worldly-wise tend to use external specifications to measure success.
This kind of internal beauty is unseen. It exists in human thoughts, emotions, characters, relationships and imaginations. In the attention of a lover, his beloved is a beauty. What seems simple at the first sight might become attractive as time passes. Some social people are beautiful for their intelligence, others for their charisma.
Certain beauty can only be recognized with the center and not the eye, such as poem, music, love, kindness, comfort, and tranquility. A tango can mix up different feelings, as what people hear may not be the track, but their own emotions. Everything seems shiny when the heart is shiny, and gloomy when the heart is clouded. The past is more splendid in the memory than it was the truth is, therefore is the near future in the eyesight.
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All these suggest that beauty is not only a form, but a subjective feeling also. Ultimate beauty is conceptional. It transcends the visual limitations and allows the emotion to journey in the realm of creativity. Unlike painting, ballet and sculpture, tango is not primarily a visual art, but an creative artwork of belief and feeling. In tango you can close your eyes and follow the instinct and intuition.
You do not start to see the actions of your lover, only feel his/her body, embrace, touch and movements, and by which his/her feelings. His masculinity, strength, dependability, support, protection and finesse, her femininity, softness, compliance, love, seduction and tacit agreement, each is but feelings. Even his/her musicality, disposition, and quality of motion are conceived through the sense. Tango provides a lot room for feelings and imaginations.
Dancing tango is like attending a banquet of emotions. Its beauty is largely conceptional. It really is regretful that the formalist dancers focus only on the external and disregard the internal. What makes tango exclusively interesting and various from other dances is its inward, human, emotional, and conceptional beauty. Tango has great potentials in this respect. Discovering its internal beauty so that tango could become an richer psychological feast is a valuable goal even.